{"id":41,"date":"2020-08-10T16:16:33","date_gmt":"2020-08-10T16:16:33","guid":{"rendered":"https:\/\/www.tipografia.mx\/?page_id=41"},"modified":"2025-12-16T22:13:23","modified_gmt":"2025-12-16T22:13:23","slug":"inicio","status":"publish","type":"page","link":"https:\/\/www.tipografia.mx\/","title":{"rendered":"Inicio"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"cropped-109172550_225183715216085_7064973461582070666_n.png\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Tipograf\u00edas a la medida MX<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Base de datos de fuentes tipogr\u00e1ficas dise\u00f1adas a la medida en M\u00e9xico y\/o dise\u00f1adas por mexicanos. Listado colaborativo en actualizaci\u00f3n continua V.0.0.1<\/span>
<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tGaler\u00eda<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n \n \n\n \n \n \n \n\n\n wdt_ID<\/th> Nombre<\/th> A\u00f1o<\/th> Dise\u00f1ador<\/th> Cliente<\/th> Despacho \/ Estudio<\/th> Verificado<\/th> Estatus<\/th> Postproducci\u00f3n<\/th> Variables<\/th> Liga<\/th> Otros cr\u00e9ditos<\/th> <\/tr>\n<\/thead>\n \n\n \n \n\n\n
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1<\/td>\n Afecciones Colaterales<\/a><\/td>\n 2011<\/td>\n M\u00f3nica Mungu\u00eda<\/a><\/td>\n CAN, Festival de Artes Electr\u00f3nicas<\/td>\n Laboratorio de Publicaciones Digitales<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n Selecci\u00f3n Tipos Latinos 2012<\/td>\n <\/tr>\n
2<\/td>\n Alfamovi cursiva<\/a><\/td>\n 2019<\/td>\n Manuel L\u00f3pez Rocha<\/a><\/td>\n DeGante Design<\/td>\n Estudio Cuatro Ojos<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
3<\/td>\n Algarab\u00eda Secci\u00f3n<\/a><\/td>\n 2018-2020<\/td>\n Leonardo V\u00e1zquez<\/a>, Luna Kindler<\/td>\n Revista Algarab\u00eda<\/td>\n Macizo<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
4<\/td>\n Algarab\u00eda Texto<\/a><\/td>\n 2016-2020<\/td>\n Leonardo V\u00e1zquez<\/a><\/td>\n Revista Algarab\u00eda<\/td>\n Macizo<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 4<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
5<\/td>\n AMD<\/a><\/td>\n 2018<\/td>\n Lance Wyman<\/td>\n Abierto Mexicano de Dise\u00f1o<\/td>\n <\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 2<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
6<\/td>\n Am\u00e9rica<\/a><\/td>\n 2009<\/td>\n Quique Ollervides<\/a><\/td>\n Televisa \/ Club Am\u00e9rica<\/td>\n Bur\u00f6 Gr\u00e1fico de Quique Ollervides<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 2<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
7<\/td>\n Artico<\/a><\/td>\n 2003<\/td>\n Jos\u00e9 Luis Coyotl Mixcoatl<\/a><\/td>\n Revista Simbad<\/td>\n Estudio La Fe ciega<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 2<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
8<\/td>\n Asemex alfabeto<\/a><\/td>\n 1985<\/td>\n Laura Medina Mora<\/td>\n Aseguradora Mexicana S.A.<\/td>\n <\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
9<\/td>\n Ayer<\/a><\/td>\n 2016-2019<\/td>\n Miguel Reyes<\/a><\/td>\n Revista W (US)<\/td>\n Commercial Type<\/td>\n SI<\/td>\n Publicado<\/td>\n Commercial Type<\/td>\n 41<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
10<\/td>\n Balzac alfabeto<\/a><\/td>\n 2018<\/td>\n Anagrama Staff<\/td>\n Duda | Paine architects<\/td>\n Anagrama<\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
11<\/td>\n Banamex<\/a><\/td>\n 1992<\/td>\n Ricardo Salas, Tullia Bassani, M\u00f3nica Puigferrat, Gabriela Ricoy, Rogelio Cuevas<\/td>\n Banamex<\/td>\n Frontespizio<\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
12<\/td>\n Bistro MB<\/a><\/td>\n 2014<\/td>\n Oscar Y\u00e1\u00f1ez<\/a><\/td>\n Revista Bistronomie \/ El Economista<\/td>\n Morphobranding<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 2<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
13<\/td>\n Bitso<\/a><\/td>\n 2020<\/td>\n Jorge Alberto Mart\u00ednez<\/a>, Isa\u00edas Loaiza<\/a>, H\u00e9ctor G\u00f3mez, Alfredo Sherman, Noem\u00ed Blanco, Guido Ferreyra<\/td>\n Bitso<\/td>\n Enigma<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 20<\/td>\n Enlace<\/a><\/td>\n Premio Nacional Dise\u00f1a M\u00e9xico: Menci\u00f3n honor\u00edfica (2019)<\/td>\n <\/tr>\n
14<\/td>\n Bodet Sans<\/a><\/td>\n 2017<\/td>\n Jes\u00fas Barrientos<\/a><\/td>\n Abracadabra \/ UNESCO<\/td>\n Talavera Type<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 6<\/td>\n <\/td>\n Selecci\u00f3n Clap dise\u00f1o fuente: texto<\/td>\n <\/tr>\n
15<\/td>\n Bolita<\/a><\/td>\n 1998<\/td>\n Angeles Moreno<\/td>\n Once TV<\/td>\n Anaimation<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
16<\/td>\n BoomBowl<\/a><\/td>\n 2018<\/td>\n Anagrama Staff<\/td>\n Boom Bowl<\/td>\n Anagrama<\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 5<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
17<\/td>\n Boomerang<\/a><\/td>\n 2008<\/td>\n Quique Ollervides<\/a><\/td>\n Cartoon Network<\/td>\n Bur\u00f6 Gr\u00e1fico de Quique Ollervides<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 2<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
18<\/td>\n Breath<\/a><\/td>\n 2017<\/td>\n Jos\u00e9 Luis Coyotl Mixcoatl<\/a><\/td>\n HBO<\/td>\n Filmograph<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
19<\/td>\n Caliente<\/a><\/td>\n 2008<\/td>\n Jorge de Buen<\/a><\/td>\n Grupo Caliente<\/td>\n Imprimatvr<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
20<\/td>\n Calles CDMX<\/a><\/td>\n 2016<\/td>\n Sergio Nu\u00f1ez<\/td>\n CDMX Semovi<\/td>\n Uevo<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
21<\/td>\n Camino Real<\/a><\/td>\n 1967<\/td>\n Lance Wyman<\/td>\n Hotel Camino Real<\/td>\n <\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
22<\/td>\n Carlota<\/a><\/td>\n 2010<\/td>\n Oscar Y\u00e1\u00f1ez<\/a><\/td>\n Revista Elle<\/td>\n Grupo Editorial Expansion<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 2<\/td>\n Enlace<\/a><\/td>\n Selecci\u00f3n Tipos Latinos 2010 (Excelencia).<\/td>\n <\/tr>\n
23<\/td>\n Castillo<\/a><\/td>\n 2011<\/td>\n Gabriel Mart\u00ednez Meave<\/a><\/td>\n Castillo McMillan<\/td>\n Meave Stvdium<\/td>\n NO<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
24<\/td>\n Cerberus<\/a><\/td>\n 2015<\/td>\n Jos\u00e9 Luis Coyotl Mixcoatl<\/a><\/td>\n Cerberus producciones<\/td>\n JLCM<\/td>\n SI<\/td>\n Sin publicar<\/td>\n <\/td>\n 2<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
25<\/td>\n Chanfle<\/a><\/td>\n 2011<\/td>\n Quique Ollervides<\/a><\/td>\n Televisa<\/td>\n Bur\u00f6 Gr\u00e1fico de Quique Ollervides<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
26<\/td>\n Chunga<\/a><\/td>\n 2017<\/td>\n Miguel Angel Contreras Cruz<\/td>\n Dis imprenta<\/td>\n <\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
27<\/td>\n Churro Toscano<\/a><\/td>\n 2017<\/td>\n Isa\u00edas Loaiza<\/a><\/td>\n Grupo Almozero<\/td>\n Enigma<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
28<\/td>\n Chusma<\/a><\/td>\n 2011<\/td>\n Quique Ollervides<\/a><\/td>\n Televisa<\/td>\n Bur\u00f6 Gr\u00e1fico de Quique Ollervides<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
29<\/td>\n Coatl<\/a><\/td>\n 1999<\/td>\n Nacho Pe\u00f3n<\/td>\n Revista Planeta X<\/td>\n <\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
30<\/td>\n Comex<\/a><\/td>\n 2012<\/td>\n Ra\u00fal Plancarte<\/a><\/td>\n Comex<\/td>\n Letra Case<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n Colaboraci\u00f3n de Miguel Reyes<\/a>. Selecci\u00f3n Tipos Latinos 2012.<\/td>\n <\/tr>\n
31<\/td>\n Comex Compressed y Extra Compressed<\/a><\/td>\n 2016<\/td>\n Rub\u00e9n Pineda<\/a><\/td>\n Comex<\/td>\n Pineda Monterrubio<\/td>\n SI<\/td>\n Sin publicar<\/td>\n Iv\u00e1n Moreno<\/td>\n 2<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
32<\/td>\n Condesa<\/a><\/td>\n 2008<\/td>\n Oscar Y\u00e1\u00f1ez<\/a><\/td>\n John Reuter<\/td>\n <\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 5<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
33<\/td>\n Corona Gothic<\/a><\/td>\n 2014-2018<\/td>\n Gabriel Mart\u00ednez Meave<\/a><\/td>\n Grupo Modelo<\/td>\n Meave Stvdium<\/td>\n NO<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
34<\/td>\n Croqueta<\/a><\/td>\n 2010<\/td>\n Isa\u00edas Loaiza<\/a>, Jaime Mart\u00ednez<\/td>\n El Tentempi\u00e9<\/td>\n Enigma<\/td>\n SI<\/td>\n Sin publicar<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
35<\/td>\n Cymk<\/a><\/td>\n 2019<\/td>\n Jos\u00e9 Luis Coyotl Mixcoatl<\/a><\/td>\n JLCM<\/td>\n JLCM<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 2<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
36<\/td>\n Deportados<\/a><\/td>\n 2018<\/td>\n Andr\u00e9s Mario Ram\u00edrez Cuevas<\/td>\n Deportados Unidos en la Lucha<\/td>\n <\/td>\n NO<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
37<\/td>\n Dohop<\/a><\/td>\n 2015<\/td>\n \u00cd\u00f1igo L\u00f3pez V\u00e1zquez<\/td>\n Bedow Stockholm \/ Dohop<\/td>\n ILVZ Estudio<\/td>\n SI<\/td>\n Sin publicar<\/td>\n <\/td>\n 3<\/td>\n Enlace<\/a><\/td>\n Type Director\u2019s Club, Student category<\/td>\n <\/tr>\n
38<\/td>\n Drive<\/a><\/td>\n 2016<\/td>\n Oscar Y\u00e1\u00f1ez<\/a><\/td>\n Revista Drive (AE)<\/td>\n Khaleej Times (AE)<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 2<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
39<\/td>\n Economista<\/a><\/td>\n 1998<\/td>\n Gabriel Mart\u00ednez Meave<\/a><\/td>\n Peri\u00f3dico El Economista<\/td>\n Meave Stvdium<\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
40<\/td>\n Educal<\/a><\/td>\n 2013<\/td>\n Oscar Y\u00e1\u00f1ez<\/a><\/td>\n Educal MB<\/td>\n Morphobranding<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
41<\/td>\n El Taller<\/a><\/td>\n 2014<\/td>\n Ra\u00fal Plancarte<\/a><\/td>\n Salvador Carmona<\/td>\n Letra Case<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
42<\/td>\n Elle Hairline<\/a><\/td>\n 2010<\/td>\n Oscar Y\u00e1\u00f1ez<\/a><\/td>\n Revista Elle<\/td>\n Grupo Editorial Expansi\u00f3n<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 2<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
43<\/td>\n ElSol TPX<\/a><\/td>\n 2018<\/td>\n Oscar Y\u00e1\u00f1ez<\/a><\/td>\n Periodicos El Sol de M\u00e9xico \/ OEM<\/td>\n Tinta y Pixel<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
44<\/td>\n Emperador<\/a><\/td>\n 2014<\/td>\n Quique Ollervides<\/a><\/td>\n Olabuenaga Chemistri, Gamesa<\/td>\n Bur\u00f6 Gr\u00e1fico de Quique Ollervides<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
45<\/td>\n Erik Text<\/a><\/td>\n 2016<\/td>\n \u00cd\u00f1igo L\u00f3pez V\u00e1zquez<\/td>\n Bedow Stockholm \/ Erik Penser Bank<\/td>\n ILVZ Estudio<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 4<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
46<\/td>\n Especial<\/a><\/td>\n 2018<\/td>\n Dafne Mart\u00ednez<\/a>, Sandra Garc\u00eda<\/a>, M\u00f3nica Mungu\u00eda<\/a><\/td>\n Ideologie<\/td>\n TipasType<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
47<\/td>\n Esto TPX<\/a><\/td>\n 2019<\/td>\n Oscar Y\u00e1\u00f1ez<\/a><\/td>\n Peri\u00f3dico Esto OEM<\/td>\n Tinta y Pixel<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 5<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
48<\/td>\n Expansion Sans<\/a><\/td>\n 2010<\/td>\n Oscar Y\u00e1\u00f1ez<\/a><\/td>\n Grupo Expansi\u00f3n<\/td>\n Grupo Expansi\u00f3n<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 3<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
49<\/td>\n Expres<\/a><\/td>\n 2007<\/td>\n Ra\u00fal Plancarte<\/a><\/td>\n Revista Expansi\u00f3n<\/td>\n Letra Case<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
50<\/td>\n Fabrica<\/a><\/td>\n 2008<\/td>\n Oscar Y\u00e1\u00f1ez<\/a><\/td>\n Revista Manufactura<\/td>\n Grupo Editorial Expansi\u00f3n<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 4<\/td>\n <\/td>\n Selecci\u00f3n Tipos Latinos 2008.<\/td>\n <\/tr>\n
51<\/td>\n Factura<\/a><\/td>\n 2020<\/td>\n H\u00e9ctor G\u00f3mez<\/td>\n Facturaxion<\/td>\n <\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 3<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
52<\/td>\n Family<\/a><\/td>\n 2008<\/td>\n Jos\u00e9 Luis Coyotl Mixcoatl<\/a><\/td>\n Revista Padres e Hijos<\/td>\n Estudio La Fe Ciega<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
53<\/td>\n Ferra Sans<\/a><\/td>\n 2004<\/td>\n Gabriel Mart\u00ednez Meave<\/a><\/td>\n El Palacio de Hierro<\/td>\n Meave Stvdium<\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
54<\/td>\n Festiche<\/a><\/td>\n 2014<\/td>\n Jes\u00fas Barrientos<\/a>, Benito Caba\u00f1as<\/td>\n Puebla Design Fest<\/td>\n Talavera Type<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
55<\/td>\n FF Santo Domingo<\/a><\/td>\n 1995<\/td>\n Pablo Rovalo<\/a><\/td>\n Revista Fuse, Font Shop<\/td>\n Font Font<\/td>\n SI<\/td>\n Publicado<\/td>\n Letterror<\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
56<\/td>\n Fondo<\/a><\/td>\n 2006-2010<\/td>\n Crist\u00f3bal Henestrosa<\/a><\/td>\n Fondo de Cultura Econ\u00f3mica<\/td>\n EstudioCH<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
57<\/td>\n Frizz<\/a><\/td>\n 2005<\/td>\n Jos\u00e9 Luis Coyotl Mixcoatl<\/a><\/td>\n JLCM<\/td>\n JLCM<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 3<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
58<\/td>\n Gabriello<\/a><\/td>\n 2014<\/td>\n Miguel Reyes<\/a>, Paul Barnes<\/td>\n Puma (US)<\/td>\n Commercial Type<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n TDC winner 2008. Selecci\u00f3n Tipos Latinos 2008<\/td>\n <\/tr>\n
59<\/td>\n Gandhi<\/a><\/td>\n 2012<\/td>\n Crist\u00f3bal Henestrosa<\/a>, Ra\u00fal Plancarte<\/a><\/td>\n Librer\u00edas Gandhi \/ Ogilvy M\u00e9xico<\/td>\n Letra Case<\/td>\n SI<\/td>\n Publicado<\/td>\n Letra Case<\/td>\n 8<\/td>\n Enlace<\/a><\/td>\n Colaboraci\u00f3n de David Kimura y Gabriela Varela. Gandhi Serif: Selecci\u00f3n Tipos Latinos 2012<\/td>\n <\/tr>\n
60<\/td>\n Gestalt<\/a><\/td>\n 2014<\/td>\n Ra\u00fal Plancarte<\/a><\/td>\n Centro de Estudios Gestalt<\/td>\n Letra Case<\/td>\n NO<\/td>\n Publicado<\/td>\n Iv\u00e1n Moreno<\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
61<\/td>\n Ghurka<\/a><\/td>\n 2012<\/td>\n Oscar Y\u00e1\u00f1ez<\/a><\/td>\n Ghurka leather bags<\/td>\n <\/td>\n SI<\/td>\n Sin publicar<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
62<\/td>\n GMX<\/a><\/td>\n 2019<\/td>\n Isa\u00edas Loaiza<\/a>, H\u00e9ctor G\u00f3mez, Jorge Alberto Mart\u00ednez<\/a>, Alfredo Sherman, Jaime Mart\u00ednez<\/td>\n Maker \/ Gobierno de M\u00e9xico<\/td>\n Enigma<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 16<\/td>\n Enlace<\/a><\/td>\n Premio Nacional Dise\u00f1a M\u00e9xico: Mejor tipograf\u00eda (2019) \u2022\u00a0Latin American Design Awards: Plata (2019) \u2022 Bienal Iberoamericana de Dise\u00f1o: Seleccionado (2020)<\/td>\n <\/tr>\n
63<\/td>\n Gnomo<\/a><\/td>\n 2014<\/td>\n Gerardo Nu\u00f1ez<\/td>\n Gnomo Galer\u00eda<\/td>\n Punto<\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
64<\/td>\n Gomez<\/a><\/td>\n 1995<\/td>\n Angeles Moreno<\/td>\n Universidad de las Am\u00e9ricas, Puebla<\/td>\n Anaimation<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
65<\/td>\n Handasa<\/a><\/td>\n 2018<\/td>\n Antonio Mej\u00eda Lechuga<\/a><\/td>\n Pedro Pablo Velasco<\/td>\n 2R Visual<\/td>\n SI<\/td>\n Publicado<\/td>\n Iv\u00e1n Moreno<\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
66<\/td>\n Heroica<\/a><\/td>\n 2019<\/td>\n Isa\u00edas Loaiza<\/a>, Alfredo Sherman<\/td>\n Maker<\/td>\n Enigma<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 16<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
67<\/td>\n Hotel Chapultepec<\/a><\/td>\n 1975<\/td>\n Lance Wyman<\/td>\n Hotel Presidente Chapultepec<\/td>\n <\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
68<\/td>\n Huipil<\/a><\/td>\n 2020<\/td>\n Oscar Y\u00e1\u00f1ez<\/a><\/td>\n Revista Wired (AE)<\/td>\n Nervora<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
69<\/td>\n Impi<\/a><\/td>\n 2014<\/td>\n Isa\u00edas Loaiza<\/a>, Alejandro Lo Celso<\/a><\/td>\n Instituto Mexicano de la Propiedad Industrial<\/td>\n Enigma<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 5<\/td>\n Enlace<\/a><\/td>\n Premio a!: Mejor tipograf\u00eda (2014)<\/td>\n <\/tr>\n
70<\/td>\n Indio script<\/a><\/td>\n 2009<\/td>\n Gabriel Mart\u00ednez Meave<\/a><\/td>\n Cervecer\u00eda Cuauhtemoc Moctezuma<\/td>\n Meave Stvdium (antes KTF)<\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
71<\/td>\n Indivisa<\/a><\/td>\n 2018<\/td>\n Isa\u00edas Loaiza<\/a>, Antonio Mej\u00eda Lechuga, Jorge Alberto Mart\u00ednez<\/a>, Alfredo Sherman, Fernanda Rom\u00e1n<\/td>\n Universidad La Salle<\/td>\n Enigma<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 28<\/td>\n Enlace<\/a><\/td>\n Premio Nacional Dise\u00f1a M\u00e9xico: Mejor tipograf\u00eda (2018) \u2022 Premio Nacional Dise\u00f1a M\u00e9xico: Ganador Absoluto de Comunicaciones Visuales (2018) \u2022\u00a0Latin American Design Awards: Plata (2019) \u2022 Bienal Iberoamericana de Dise\u00f1o: Seleccionado (2020)<\/td>\n <\/tr>\n
72<\/td>\n Inspiradora<\/a><\/td>\n 2020<\/td>\n Isa\u00edas Loaiza<\/a><\/td>\n Inspiradora<\/td>\n <\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
73<\/td>\n Integra<\/a><\/td>\n 2011<\/td>\n Oscar Y\u00e1\u00f1ez<\/a><\/td>\n Transparencia M\u00e9xico<\/td>\n <\/td>\n SI<\/td>\n Sin publicar<\/td>\n <\/td>\n 4<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
74<\/td>\n Ironia<\/a><\/td>\n 2009<\/td>\n Gabriel Mart\u00ednez Meave<\/a><\/td>\n Cerveza Sol<\/td>\n Meave Stvdium (antes KTF)<\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
75<\/td>\n Jumex Sans<\/a><\/td>\n 2012<\/td>\n Gabriel Mart\u00ednez Meave<\/a><\/td>\n Jumex<\/td>\n Meave Stvdium<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
76<\/td>\n Khaleej<\/a><\/td>\n 2014<\/td>\n Oscar Y\u00e1\u00f1ez<\/a><\/td>\n Khaleej Times (EAU)<\/td>\n Khaleej Times<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
77<\/td>\n Kukuum<\/a><\/td>\n 2013<\/td>\n Isa\u00edas Loaiza<\/a>, Debbie Yee<\/td>\n Siete Media \/ Secretar\u00eda de Relaciones Exteriores<\/td>\n Enigma<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 3<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
78<\/td>\n La Peste<\/a><\/td>\n 2018<\/td>\n H\u00e9ctor G\u00f3mez<\/td>\n Revista La Peste<\/td>\n <\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 4<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
79<\/td>\n La Sabrosa<\/a><\/td>\n 2017<\/td>\n Quique Ollervides<\/a>, Oscar Reyes<\/a><\/td>\n Gallo Giro<\/td>\n Bur\u00f6 Gr\u00e1fico de Quique Ollervides<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 2<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
80<\/td>\n Lectura<\/a><\/td>\n 2007<\/td>\n Leonardo V\u00e1zquez<\/a><\/td>\n Revista Artes de M\u00e9xico<\/td>\n Macizo<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
81<\/td>\n Letras<\/a><\/td>\n 1998<\/td>\n David Berlow, Enrico Mart\u00ednez<\/a><\/td>\n Revista Letras Libres<\/td>\n Font Bureau<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
82<\/td>\n Lin<\/a><\/td>\n 2017<\/td>\n Manuel L\u00f3pez Rocha<\/a><\/td>\n INALI<\/td>\n <\/td>\n SI<\/td>\n Publicado<\/td>\n Iv\u00e1n Moreno<\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
83<\/td>\n Liverpool sans<\/a><\/td>\n 2015<\/td>\n Gabriel Mart\u00ednez Meave<\/a><\/td>\n Liverpool<\/td>\n Meave Stvdium<\/td>\n NO<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
84<\/td>\n LMD<\/a><\/td>\n 2015<\/td>\n Jorge Alberto Mart\u00ednez<\/a><\/td>\n Laboratorio Mexicano de Dise\u00f1o<\/td>\n Etymos<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
85<\/td>\n Lucha Libre<\/a><\/td>\n 2012<\/td>\n Quique Ollervides<\/a><\/td>\n Edge Reality (Loadout)<\/td>\n Bur\u00f6 Gr\u00e1fico de Quique Ollervides<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
86<\/td>\n Luchita Payol<\/a><\/td>\n 2000<\/td>\n Quique Ollervides<\/a><\/td>\n Trilce Ediciones<\/td>\n Bur\u00f6 Gr\u00e1fico de Quique Ollervides<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
87<\/td>\n Lux<\/a><\/td>\n 2017<\/td>\n Isa\u00edas Loaiza<\/a>, Jaime Mart\u00ednez, Alfredo Lezama, Guillermo de Uriarte<\/td>\n L\u00faminos<\/td>\n Enigma<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
88<\/td>\n Lyons<\/a><\/td>\n 2014<\/td>\n Jos\u00e9 Luis Coyotl Mixcoatl<\/a><\/td>\n Rob Lyons<\/td>\n JLCM<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
89<\/td>\n Mar 34<\/a><\/td>\n 2011<\/td>\n Tania Alvarez Zaldivar<\/td>\n Estruch restaurante<\/td>\n <\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
90<\/td>\n Marcatextos<\/a><\/td>\n 2012<\/td>\n Tocho Mac\u00edas<\/td>\n Marcatextos<\/td>\n Tocho<\/td>\n NO<\/td>\n Sin publicar<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
91<\/td>\n Maremoto<\/a><\/td>\n 2019<\/td>\n Isa\u00edas Loaiza<\/a><\/td>\n Editorial Planeta<\/td>\n <\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
92<\/td>\n Maria<\/a><\/td>\n 2005-2018<\/td>\n Jos\u00e9 Luis Coyotl Mixcoatl<\/a><\/td>\n Proyecto editorial independiente<\/td>\n JLCM<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 5<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
93<\/td>\n Mar\u00eda (dingbat)<\/a><\/td>\n 2015<\/td>\n \u00cd\u00f1igo L\u00f3pez V\u00e1zquez<\/td>\n Mar\u00eda Rodr\u00edguez<\/td>\n ILVZ<\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
94<\/td>\n Masterclass<\/a><\/td>\n 2015<\/td>\n Jos\u00e9 Luis Coyotl Mixcoatl<\/a><\/td>\n Cerberus Producciones<\/td>\n JLMC<\/td>\n SI<\/td>\n Sin publicar<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
95<\/td>\n Mastique<\/a><\/td>\n 2009<\/td>\n Quique Ollervides<\/a><\/td>\n Cartoon Network<\/td>\n Bur\u00f6 Gr\u00e1fico de Quique Ollervides<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
96<\/td>\n Matria<\/a><\/td>\n 2013<\/td>\n Ra\u00fal Plancarte<\/a><\/td>\n Fernando Llanos<\/td>\n Letra Case<\/td>\n SI<\/td>\n Publicado<\/td>\n Iv\u00e1n Moreno<\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
97<\/td>\n McGraw Hill<\/a><\/td>\n 2000<\/td>\n Quique Ollervides<\/a><\/td>\n McGraw Hill<\/td>\n Bur\u00f6 Gr\u00e1fico de Quique Ollervides<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
98<\/td>\n Memento Mori<\/a><\/td>\n 2017<\/td>\n M\u00f3nica Mungu\u00eda<\/a><\/td>\n Centro Multimedia del Cenart<\/td>\n Laboratorio de Publicaciones Digitales<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
99<\/td>\n Merakee<\/a><\/td>\n 2017<\/td>\n Linda Platas<\/td>\n Papeler\u00eda Merakee<\/td>\n <\/td>\n NO<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
100<\/td>\n Metro<\/a><\/td>\n 1968<\/td>\n Lance Wyman<\/td>\n Gobierno del Distrito Federal<\/td>\n Pronto Posters<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
101<\/td>\n Moneda<\/a><\/td>\n 2008<\/td>\n Oscar Y\u00e1\u00f1ez<\/a><\/td>\n Revista Dinero Inteligente<\/td>\n Grupo Editorial Expansi\u00f3n<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 5<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
102<\/td>\n Mundet Sans<\/a><\/td>\n 2018<\/td>\n Rub\u00e9n Pineda<\/a>, Jess Alamo<\/a><\/td>\n Mundet. Coca-Cola M\u00e9xico<\/td>\n Pineda Monterrubio<\/td>\n SI<\/td>\n Publicado<\/td>\n Pineda Monterrubio<\/td>\n 3<\/td>\n <\/td>\n Clap platinum: Mejor fuente T\u00edtulos 2018<\/td>\n <\/tr>\n
103<\/td>\n Mystix<\/a><\/td>\n 2007<\/td>\n Gabriel Mart\u00ednez Meave<\/a><\/td>\n Delaware Punch<\/td>\n Meave Stvdium<\/td>\n NO<\/td>\n Sin publicar<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
104<\/td>\n M\u00e9xico68<\/a><\/td>\n 1968<\/td>\n Jos\u00e9 Luis Ortiz T\u00e9llez<\/a>, Lance Wyman<\/td>\n Gobierno de M\u00e9xico<\/td>\n Comit\u00e9 Organizador de los Juegos Ol\u00edmpicos<\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
105<\/td>\n Nervadura Serif<\/a><\/td>\n 2019<\/td>\n C\u00e9sar Leal<\/td>\n Instituto de Arte y Cultura de Celaya<\/td>\n <\/td>\n NO<\/td>\n Publicado<\/td>\n Prototypo<\/td>\n 8<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
106<\/td>\n Nicky<\/a><\/td>\n 2018<\/td>\n Jes\u00fas Barrientos<\/a><\/td>\n Knotion<\/td>\n Talavera Type<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
107<\/td>\n Ninja<\/a><\/td>\n 2009<\/td>\n Jos\u00e9 Luis Coyotl Mixcoatl<\/a><\/td>\n Warner Bros \/ Pel\u00edcula Ninja Assasin<\/td>\n Prologue Films<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n Selecci\u00f3n Tipos Latinos 2012<\/td>\n <\/tr>\n
108<\/td>\n Nokia Pure Data<\/a><\/td>\n 2018<\/td>\n Pablo Rovalo<\/a>, Iv\u00e1n Moreno<\/a><\/td>\n Nokia Pure Data<\/td>\n Research Studios Barcelona, Dalton Maag<\/td>\n SI<\/td>\n Publicado<\/td>\n Iv\u00e1n Moreno<\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
109<\/td>\n Nunchi<\/a><\/td>\n 2019<\/td>\n \u00cd\u00f1igo L\u00f3pez V\u00e1zquez<\/td>\n Bedow Stockholm \/ Nunchi<\/td>\n ILVZ Estudio<\/td>\n SI<\/td>\n Sin publicar<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
110<\/td>\n Nylon<\/a><\/td>\n 1971<\/td>\n Lance Wyman<\/td>\n Nylon de M\u00e9xico, Monterrey MX<\/td>\n <\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
111<\/td>\n Paky<\/a><\/td>\n 2013<\/td>\n Luis Fernando Carvente, Mario Tapia<\/td>\n Caf\u00e9 org\u00e1nico Paky<\/td>\n <\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
112<\/td>\n Palacio<\/a><\/td>\n 2011<\/td>\n Alejandro Lo Celso<\/a><\/td>\n El Palacio de Hierro<\/td>\n Pampatype<\/td>\n SI<\/td>\n Sin publicar<\/td>\n Iv\u00e1n Moreno<\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
113<\/td>\n Panfleto<\/a><\/td>\n 2019<\/td>\n H\u00e9ctor G\u00f3mez<\/td>\n Portrait<\/td>\n <\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 2<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
114<\/td>\n Pearson calligraphic<\/a><\/td>\n 1999<\/td>\n Gabriel Mart\u00ednez Meave<\/a><\/td>\n Adobe<\/td>\n Meave Stvdium<\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
115<\/td>\n Pedregal<\/a><\/td>\n 2018-2020<\/td>\n Lance Wyman, Andy Butler<\/td>\n El Palacio de Hierro<\/td>\n Deduce Design<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
116<\/td>\n Periodista<\/a><\/td>\n 2009<\/td>\n Alejandro Lo Celso<\/a><\/td>\n Revista Expansi\u00f3n<\/td>\n Pampatype<\/td>\n SI<\/td>\n Publicado<\/td>\n Jos\u00e9 Luis Acosta<\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
117<\/td>\n Pessoa 1<\/a><\/td>\n 1998<\/td>\n Angeles Moreno<\/td>\n Patricia Arriaga<\/td>\n Anaimation<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
118<\/td>\n Pincelazo<\/a><\/td>\n 1995<\/td>\n Angeles Moreno<\/td>\n Universidad de las Am\u00e9ricas, Puebla<\/td>\n Anaimation<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
119<\/td>\n Porcelanite display<\/a><\/td>\n 2017<\/td>\n Quique Ollervides<\/a>, M\u00f3nica Mungu\u00eda<\/a><\/td>\n Porcelanite<\/td>\n Bur\u00f6 Gr\u00e1fico de Quique Ollervides<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
120<\/td>\n Presidencia<\/a><\/td>\n 2008<\/td>\n Gabriel Mart\u00ednez Meave<\/a><\/td>\n Gobierno de M\u00e9xico<\/td>\n Ideograma<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 21<\/td>\n Enlace<\/a><\/td>\n TDC winner 2008. Seleccion Tipos latinos 2008 (Excelencia).<\/td>\n <\/tr>\n
121<\/td>\n PS Euphoria<\/a><\/td>\n 2000<\/td>\n Edgar A. Reyes<\/td>\n Igloo Design, Revista Arcana<\/td>\n Poetic Souvenir<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
122<\/td>\n PS Isomatriz Regular<\/a><\/td>\n 2008<\/td>\n Edgar A. Reyes<\/td>\n Isopixel<\/td>\n Poetic Souvenir<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
123<\/td>\n PS Pront OS1 y OS2<\/a><\/td>\n 2009<\/td>\n Edgar A. Reyes<\/td>\n Proyecto Paisajes Idealizados<\/td>\n Poetic Souvenir<\/td>\n NO<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
124<\/td>\n PS Synthetic Propaganda<\/a><\/td>\n 2002<\/td>\n Edgar A. Reyes<\/td>\n Revista URBE01<\/td>\n Poetic Souvenir<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
125<\/td>\n Pums Script<\/a><\/td>\n 2017<\/td>\n Gabriel Mart\u00ednez Meave<\/a><\/td>\n Pums<\/td>\n Meave Stvdium (antes KTF)<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n Telcel Sans: Selecci\u00f3n Tipos Latinos 2012<\/td>\n <\/tr>\n
126<\/td>\n Rara<\/a><\/td>\n 2016<\/td>\n Jorge Alberto Mart\u00ednez<\/a><\/td>\n Revista Rara (GTM)<\/td>\n Etymos<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
127<\/td>\n Reactor<\/a><\/td>\n 2015<\/td>\n Jos\u00e9 Luis Coyotl Mixcoatl<\/a><\/td>\n Reactor 105.7 FM<\/td>\n JLMC<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
128<\/td>\n Roma<\/a><\/td>\n 2018<\/td>\n Adriana L\u00f3pez Rodr\u00edguez<\/td>\n Netflix \/ Pel\u00edcula Roma<\/td>\n <\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
129<\/td>\n Rotoplas<\/a><\/td>\n 2018<\/td>\n Sergio Trujillo, Isa\u00edas Loaiza<\/a><\/td>\n Rotoplas \/ Interbrand<\/td>\n Enigma<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 16<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
130<\/td>\n RR Flacca<\/a><\/td>\n 2018<\/td>\n Rafael Ram\u00edrez Lozano<\/td>\n Revista Focus<\/td>\n Baj\u00edotype (antes Fonts For You)<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 5<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
131<\/td>\n RR Luciana<\/a><\/td>\n 2015<\/td>\n Rafael Ram\u00edrez Lozano<\/td>\n Luc\u00eda Hern\u00e1ndez (Luckya)<\/td>\n Baj\u00edotype (antes Fonts For You)<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
132<\/td>\n Ryse<\/a><\/td>\n 2014<\/td>\n Jos\u00e9 Luis Coyotl Mixcoatl<\/a><\/td>\n Microsoft \/ Crytek<\/td>\n Prologue Films<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
133<\/td>\n SA Soriano Display<\/a><\/td>\n 2017<\/td>\n Rodrigo Tovar<\/td>\n Museo Morelense de Arte Contempor\u00e1neo Juan Soriano<\/td>\n Sociedad An\u00f3nima<\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 2<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
134<\/td>\n San Andr\u00e9s<\/a><\/td>\n 2013<\/td>\n Aless Alcal\u00e1<\/td>\n Cervecer\u00eda San Andr\u00e9s<\/td>\n D3 Multigr\u00e1fica<\/td>\n NO<\/td>\n <\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
135<\/td>\n Sanborns<\/a><\/td>\n 2017<\/td>\n Jonathan Cuervo<\/a><\/td>\n Grupo Sanborns<\/td>\n Starbrands Mexico<\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
136<\/td>\n Sanborns Menu<\/a><\/td>\n 2018<\/td>\n Jonathan Cuervo<\/a><\/td>\n Grupo Sanborns<\/td>\n Starbrands Mexico<\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
137<\/td>\n Santa Clara Script<\/a><\/td>\n 2017<\/td>\n Rub\u00e9n Pineda<\/a>, Jess Alamo<\/a><\/td>\n Santa Clara, Coca-Cola M\u00e9xico<\/td>\n Pineda Monterrubio<\/td>\n SI<\/td>\n Publicado<\/td>\n Iv\u00e1n Moreno<\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
138<\/td>\n Scriptorium<\/a><\/td>\n 2020<\/td>\n M\u00f3nica Mungu\u00eda<\/a><\/td>\n SCR Scriptoria<\/td>\n Momutype Foundry & Studio<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
139<\/td>\n Siete Machos<\/a><\/td>\n 2015-2016<\/td>\n Gabriel Mart\u00ednez Meave<\/a><\/td>\n Urania<\/td>\n Meave Stvdium<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
140<\/td>\n Sinergia<\/a><\/td>\n 1998<\/td>\n Font Bureau staff<\/td>\n Grupo Reforma<\/td>\n Font Bureau<\/td>\n SI<\/td>\n Publicado<\/td>\n Font Bureau<\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n Direcci\u00f3n creativa: Eduardo Danilo<\/td>\n <\/tr>\n
141<\/td>\n Sirena Script<\/a><\/td>\n 2018<\/td>\n Isa\u00edas Loaiza<\/a>, Guillermo de Uriarte, Jorge Alberto Mart\u00ednez<\/a>, Alfredo Sherman<\/td>\n Grupo Ramos \/ Interbrand<\/td>\n Enigma<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
142<\/td>\n Soberana<\/a><\/td>\n 2012<\/td>\n Crist\u00f3bal Henestrosa<\/a>, Ra\u00fal Plancarte<\/a><\/td>\n Gobierno de M\u00e9xico<\/td>\n Letra Case<\/td>\n SI<\/td>\n Publicado<\/td>\n Jos\u00e9 Luis Acosta<\/td>\n 20<\/td>\n <\/td>\n Colaboraci\u00f3n de C\u00e9sar Puertas en Soberana serif e Iv\u00e1n Moreno en Soberana Sans. Selecci\u00f3n Tipos Latinos 2014.<\/td>\n <\/tr>\n
143<\/td>\n Sof\u00eda<\/a><\/td>\n 2012<\/td>\n Anagrama<\/td>\n Sof\u00eda residencias & Suites Corporativas<\/td>\n Anagrama<\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
144<\/td>\n Sol<\/a><\/td>\n 1999<\/td>\n Gabriel Mart\u00ednez Meave<\/a><\/td>\n Cervercer\u00eda Cuauht\u00e9moc Moctezuma<\/td>\n Meave Stvdium<\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
145<\/td>\n Spica<\/a><\/td>\n 2001<\/td>\n Angeles Moreno<\/td>\n Spica, joyer\u00eda hecha a mano <\/td>\n Anaimation<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
146<\/td>\n S\u00f3lida<\/a><\/td>\n 1999<\/td>\n Gabriel Mart\u00ednez Meave<\/a><\/td>\n Cervercer\u00eda Cuauht\u00e9moc Moctezuma<\/td>\n Meave Stvdium<\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
147<\/td>\n Telcel Nova<\/a><\/td>\n 2016-2017<\/td>\n Gabriel Mart\u00ednez Meave<\/a><\/td>\n Grupo Carso, Telcel<\/td>\n Meave Stvdium<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n Telcel Sans: Selecci\u00f3n Tipos Latinos 2012<\/td>\n <\/tr>\n
148<\/td>\n Tipofilia Brush<\/a><\/td>\n 2014<\/td>\n Ra\u00fal Plancarte<\/a><\/td>\n Tipografilia 09<\/td>\n Letra Case<\/td>\n SI<\/td>\n Publicado<\/td>\n Iv\u00e1n Moreno<\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
149<\/td>\n Tipofilia Maciza<\/a><\/td>\n 2016<\/td>\n Jorge Alberto Mart\u00ednez, M\u00f3nica Mungu\u00eda<\/a><\/td>\n Tipografilia 10<\/td>\n <\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n Asesor\u00eda Paco Calles<\/td>\n <\/tr>\n
150<\/td>\n Tipofilia Stencil<\/a><\/td>\n 2013<\/td>\n Ra\u00fal Plancarte<\/a><\/td>\n Tipografilia 07<\/td>\n Letra Case<\/td>\n SI<\/td>\n Publicado<\/td>\n Iv\u00e1n Moreno<\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
151<\/td>\n Tiptip<\/a><\/td>\n 2019<\/td>\n Jes\u00fas Barrientos<\/a><\/td>\n Talipot Studio<\/td>\n Talavera Type<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n Selecci\u00f3n Clap fuente: T\u00edtulo<\/td>\n <\/tr>\n
152<\/td>\n Topo Chico<\/a><\/td>\n 2016<\/td>\n Isa\u00edas Loaiza<\/a><\/td>\n Arca Continental \/ Interbrand<\/td>\n Enigma<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 2<\/td>\n Enlace<\/a><\/td>\n Premio Brandemia: Mejor tipograf\u00eda (2016)<\/td>\n <\/tr>\n
153<\/td>\n Tradicional<\/a><\/td>\n 2013<\/td>\n Quique Ollervides<\/a><\/td>\n Jos\u00e9 Cuervo<\/td>\n Bur\u00f6 Gr\u00e1fico de Quique Ollervides<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
154<\/td>\n Udlap Sans<\/a><\/td>\n 2011<\/td>\n Isa\u00edas Loaiza<\/a><\/td>\n Universidad de las Am\u00e9ricas Puebla<\/td>\n Enigma<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 24<\/td>\n Enlace<\/a><\/td>\n Premio a!: Mejor tipograf\u00eda (2012) \u2022\u00a0Premio Quorum: Mejor tipograf\u00eda (2013)<\/td>\n <\/tr>\n
155<\/td>\n UKMX<\/a><\/td>\n 2015<\/td>\n Designboom (Bob Young)<\/td>\n British Council<\/td>\n Designboom<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
156<\/td>\n Unarte<\/a><\/td>\n 2015<\/td>\n Alejandro Lo Celso<\/a><\/td>\n Universidad de Arte Puebla<\/td>\n Pampatype<\/td>\n SI<\/td>\n Publicado<\/td>\n Iv\u00e1n Moreno<\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
157<\/td>\n Urbe<\/a><\/td>\n 2000<\/td>\n Quique Ollervides<\/a><\/td>\n Revista Urbe<\/td>\n Bur\u00f6 Gr\u00e1fico de Quique Ollervides<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
158<\/td>\n Valkyrie<\/a><\/td>\n 2008<\/td>\n Jos\u00e9 Luis Coyotl Mixcoatl<\/a><\/td>\n Bad Hat Harry productions \/ Pel\u00edcula Valkyrie<\/td>\n Prologue Films<\/td>\n SI<\/td>\n Sin publicar<\/td>\n <\/td>\n 2<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
159<\/td>\n Vips Comanda Script<\/a><\/td>\n 1999<\/td>\n Gabriel Mart\u00ednez Meave<\/a><\/td>\n Restaurantes Vips<\/td>\n Meave Stvdium<\/td>\n NO<\/td>\n Publicado<\/td>\n <\/td>\n 1<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
160<\/td>\n Yandex Sans<\/a><\/td>\n 2016<\/td>\n Miguel Reyes<\/a>, Ilya Ruderman<\/td>\n Yandex (RS)<\/td>\n Commercial Type<\/td>\n SI<\/td>\n Publicado<\/td>\n Commercial Type<\/td>\n 9<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
161<\/td>\n Yerbabuena script<\/a><\/td>\n 2018<\/td>\n Manuel Monroy<\/a><\/td>\n Papalote Museo del Ni\u00f1o<\/td>\n <\/td>\n SI<\/td>\n Publicado<\/td>\n Le\u00f3n Mu\u00f1oz<\/td>\n 1<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n
162<\/td>\n Yunta<\/a><\/td>\n 2019<\/td>\n Oscar Y\u00e1\u00f1ez<\/a><\/td>\n Revista Wired (AE)<\/td>\n Nervora<\/td>\n SI<\/td>\n Publicado<\/td>\n <\/td>\n 15<\/td>\n <\/td>\n <\/td>\n <\/tr>\n
163<\/td>\n Z\u00f3calo<\/a><\/td>\n 2002<\/td>\n Cyrus Highsmith<\/td>\n Peri\u00f3dico El Universal<\/td>\n Font Bureau \/ Eduardo Danilo<\/td>\n SI<\/td>\n Publicado<\/td>\n Font Bureau<\/td>\n 20<\/td>\n Enlace<\/a><\/td>\n <\/td>\n <\/tr>\n <\/tbody> \n\n \n \n \n <\/table>\n\n<\/div>